PACKAGES
Virtual Production
We offer two types of virtual production packages: Elemental and Immersive. Packages below are based on a 10 hour day rate. All packages include LED Volume Operator, Virtual Production Supervisor, Studio Manager, and full access to studio amenities.
Need for environment creation, environment optimizations, crew, and camera/gear will adjust end quote.
Elemental Package
Experience the foundations of virtual production with our Elemental Package. This package provides exclusive access to our cutting-edge LED volume stage, allowing integration of client-provided assets. This package does not include Unreal Engine integration or motion tacking.
CAPABILITIES
Static Images
Graphics
Video Playback
Presentations
Color Sweeps
Green Screen
IDEAL FOR
Music Videos
Product Photography
Portraits
Talking Heads
Presentations
More
Immersive Package
OR
Harnessing the power of our advanced LED volume stage, this package is tailor-made for Unreal Engine integration and dynamic camera motion tracking, enabling real-time parallax effects that redefine visual storytelling. Unreal Engine Environments are not included in this package.
CAPABILITIES
Unreal Engine Integration
Interactive Virtual Set Design
Motion Tracking
Real-Time Parallaxing
Volumetric Lighting
Real-Time Adjustments
IDEAL FOR
Commercials
Feature Films/TV Shows
Music Videos
Product Photography
Presentations
Simulations
More
Environment Creation
Choosing the Immersive Package means you can either…
Hire Golden Hour to build Unreal Engine environments
Build your own Unreal Engine environments
Every project is different, and with virtual production the creative possibilities are endless. To receive a quote for Unreal Engine environment creation, schedule a video call with our team.
HIRING GOLDEN HOUR
Required Environment Creation Time: 2-5 Weeks
Virtual Art Design Process
Launch Meeting
This crucial initial meeting sets the foundation for the entire project. We’ll discuss the roles Golden Hour will fill, including any production crew, as well as what the client (you) will handle. We’ll cover areas such as the art department, wardrobe, and makeup artists to ensure a seamless collaboration.
Design Phase
The exciting part begins here. We assist you in selecting and optimizing virtual environments. During this phase, we’ll make necessary tweaks and adjustments. Budget considerations come into play as we determine the extent of customization required. We’ll either browse the Unreal Engine marketplaces for CGI assets or decide if unique environments need to be built from scratch. At this stage, the client’s storyboard should be finalized.
Pre Production
This stage closely mirrors traditional production. Set designs are finalized, styles and looks are locked in, and wardrobe fittings are conducted. It’s all about ensuring everything is ready for the shoot.
Optimization
Here, we rigorously test the virtual environments. We’ll display them on our LED Volume, assessing how they appear on camera with real-time parallaxing. This phase involves evaluating colors, shaders, and textures. Key personnel such as the client, DP, DIT, virtual production manager, and virtual artists are essential. This process can be done remotely.
Blocking and Staging
Often referred to as “Pre-light Day,” this phase involves much more than just lighting. We plan the movement and timing of sets, providing a loose run of the show. It’s an ideal opportunity to stage multiple environments in advance, with availability to prep and stage near the volume for easy load-in. Lighting, lenses, and angles are determined ahead of the shoot day, ensuring efficiency and minimizing downtime. Pre-light Day is an additional day rate charge, and although it is not required, it is highly recommended (especially for those who are filming virtual production for the first time).
Production Day
The production phase remains largely the same as traditional methods, but with one significant advantage. By this stage, much of the post-production process is already completed, bringing the client closer to realizing their project. All traditional roles are still recommended to ensure a smooth shoot.
BUILDING YOUR OWN
With the rise of virtual production as a leading choice in filmmaking, the available resources are continuously expanding. At Golden Hour, we utilize a blend of custom CGI assets built from scratch and assets purchased from public marketplaces. We encourage our clients to explore these marketplaces and identify any environments or virtual assets that capture their vision. Utilizing pre-built assets can significantly reduce costs compared to creating new environments from scratch.
For clients who wish to bring their own Unreal Engine environments, we offer a seamless integration process. Simply provide us with your pre-built environments prior to production, and our team will optimize them for use on our LED Volume. This ensures your production runs smoothly and efficiently, leveraging the full potential of virtual production technology.
Take a look at some of the marketplaces we love to utilize:
Pre-light Day
Why is Pre-light Day important?
Golden Hour clients value having a Pre-light Day because it often serves as their first hands-on experience with virtual production. While this day isn’t mandatory, it plays a crucial stage that provides an opportunity to understand the basics of virtual production, adjust lighting, angles, and logistics before the main production days. It ensures that everything runs smoothly when clients are present, giving them confidence in the process and allowing for any necessary tweaks. By addressing potential issues and fine-tuning setups in advance, you are setting yourself up to have a seamless and efficient production, ensuring your project is executed flawlessly from start to finish.
DAY RATE
$6,000
What is typically done during Pre-light Day?
Setup and Calibration — The LED Volume is turned on and all technical equipment is set up and calibrated. This includes adjusting the screens, camera tracking systems, and ensuring all technology is functioning correctly.
Scene Layout and Movements — Plan and arrange the movement and positioning of sets and actors within the virtual environments. Determine the transitions between different scenes, especially for multi-environment shoots.
Lighting Adjustments — Fine-tune both virtual and physical lighting setups to match the desired look. This involves adjusting light sources, shadows, and reflections to ensure they appear natural and cohesive with the virtual environment.
Camera Angles and Lenses — Work with the director of photography (DP) to determine the best camera angles and lenses for each shot. Test and adjust to ensure the virtual environment looks optimal on camera.
Technical Rehearsals — Conduct technical run-throughs to test the integration of live-action elements with virtual environments. Check synchronization, parallax effects, and real-time rendering to identify and resolve any technical issues.
Timing and Logistics — Plan the timing and logistics of the shoot, creating a detailed schedule. This helps to minimize downtime and ensures a smooth workflow during the actual production.
Crew Coordination — Ensure all departments, from lighting and camera crews to the virtual production team, are aligned. Clear communication and collaboration are essential for a successful shoot.
Staging and Blocking — Plan the movement and positioning of actors and/or props within the virtual environments. Pre-stage props and sets in designated areas for easy load-in and load-out during scene changes, ensuring efficient transitions and reducing downtime.
Final Adjustments — Make any final tweaks based on the rehearsal results and crew feedback. This ensures everything is optimized and ready for the main production days.
STAGE B
45’ Linear | 15.5’ Tall | Endless Sweep | Paintable
Cyclorama
DAY RATE
$800
ADD-ON
$600
G&E
Day Rates
LIGHTING
Aputure 1200d (x2)…………………………………$170
Aputure 10” Fresnel Lens (x3)……………….$11
Aputure 6" Fresnel Lens………………………..$6
Aputure 600d……………………………………………$95
Aputure 600x……………………………………………$95
Aputure 300x………………………………………….…$50
Aputure Nova p300………………….…………….$85
Aputure MC4 4-Light Lit……….………….…$25
Aputure Spotlight………………………………..…$13
Dedolight DPB70 “Big Light” ……… $700
2’x2’ Reflectors 1-4
1’x1’ Reflectors 1-4
4”x5” Reflectors 1-4
1”x3” Reflectors 1-4
Aputure Softbox…………………………….……….….$11
Aputure Lantern…………………………….………..….$5
Hudson Spider Stealth Kit (x2)…….……$283
Litemat Spectrum 2L………….…………………$147
Litemat+ 2L BiColor…….…………………………$162
Digital Sputnick DS-1………………….…………$175
Quasar Rainbow 4' (x10)………………………..$50
Hazer…………………………………………………………….$30
Handheld Haze……………………………………..…$30
CREW
Key Grip………………………………………….………..$850
Gaffer…………………………………………….………….$850
GRIP
1-Ton Package…………………..……………………$600
40” C Stands, 20” C Stands, Baby Rollers, Low Boys, Mombo, Combo Wheel Set, A-Clamp, Hi-Hats, Shot Bags, Apple Boxes, Stingers, Floppys, Nets Silk. Click here for more detailed list.
POWER
Generator…………….…………………..…………………$50
Bundle and save! Get discounts when you rent multiple pieces of camera equipment, lighting, and other gear together.
Day Rates
Gear
ARRI PACKAGE
Studio $1,200 | On Location $1,700
ARRI MINI LF
ARRI MVF-2
ARRI LPL-PL Mount
CODEX 1tb Compact Drive (x2)
CODEX Compact Drive Reader
AC Power Supply
A-Box
Pair of 6" + 10" 19mm rails
ARRI LF Cage
ARRI Top plate, ARRI top handle, two handle extensions, ARRI mini dovetail, ARRI Compact Bridge Plate (19mm rails/safety dovetail clamp), ARRI Viewfinder bracket, Ratworks dumb side plate, ARRI RAB-1 Clamp BEBOB, Power Distribution box
Bundle and save! Get discounts when you rent multiple pieces of camera equipment, lighting, and other gear together.
SUPPORT
Easyrig Vario 5 + Serene Flowcine…………..$150
Miller Tripod…….………………………………………….…….$50
Steadicam Zepher Camera Stabilizer with 7" HD Monitor……………………………………………………..$250
WIRELESS
Wireless Kit………….……………………………………………$150
Teradek Bolt 500 System
1 Transmitter
2 Receivers
1 Small HD 703
Integrated Receiver
CAMERA
Ear-Tech Production Comms………………….…$100
Teleprompter 24”……………………………………..…….$200
Tripod O’Connor 1040……………………….…….……$200
Nu.Tron - Camera Jib/Dolly/Stabilizer……$300
IN-HOUSE LENSES
Sigma Cine Lens Set: 14, 24, 35, 50, 85, 105, 135………………………………………………….$300
ARRI Signature Primes: 18, 25, 35, 47, 75, 125…………………………………………………..$200/lens
MONITORS
Included with Studio Rental
24" 4k Monitor - Director
3 Client Monitors - Client
70" OLED Studio TV
2 Hollyland Cosmo c1
MATTE BOX
Matte Box Kit……………………………………….$150
Bright Tangerine Misfit Atom Pola + Kit
Bright Tangerine Top Flag
95mm Adapter Donut
110mm Adapter Donut
NISI IRND .06
NISI IRND 1.2
NISI IRND 1.8
Schneider True-Pol 138mm
Tiffen Glimmerglass 1/4, 1/8
FOLLOW FOCUS
Follow Focus Kit……………………….…………$150
Tilta Nucleus-M Wireless Lens
Control System
SmallHD 503 Monitor
CINEMA ROBOT
High-Speed Bolt Jr+ Cinebot
Cinebot Tech